By Neil Postman
A super robust and significant book....This is a brutal indictment Postman has laid down and, as far as i will be able to see, an irrefutable one. --Jonathan Yardley, Washington put up e-book international.
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Additional info for Amusing Ourselves to Death: Public Discourse in the Age of Show Business
This is not to say that during the period of typographic display, the claims that were put forward were true. Words cannot guarantee their truth content. Rather, they assemble a context in which the question, Is this true or false? is relevant. In the 1890's that context was shattered, first by the massive intrusion of illustrations and photographs, then by the nonpropositional use of language. For example, in the 1890's advertisers adopted the technique of using slogans. " At about the same time, jingles started to be used, and in 1892, Procter and Gamble invited the public to submit rhymes to advertise Ivory Soap.
The abundant flow of information had very little or nothing to do with those to whom it was addressed; that is, with any social or intellectual context in which their lives were embedded. Coleridge's famous line about water everywhere without a drop to drink may serve as a metaphor of a decontextualized information environment: In a sea of information, there was very little of it to use. A man in Maine and a man in Texas could converse, but not about anything either of them knew or cared very much about.
Perhaps the most optimistic expression of everything that typography implied is contained in the following paragraph from John Stuart Mill's autobiography: So complete was my father's reliance on the influence of mankind, wherever [literacy] is allowed to reach them, that he felt as if all would be gained if the whole population were taught to read, if all sorts of opinions were allowed to be addressed to them by word and in writing, and if, by means of the suffrage, they could nominate a legislature to give effect to the opinion they adopted.