Functional Approaches to Culture And Translation: Selected by Dirk Delabastita, Lieven D Hulst, Reine Meylaerts

By Dirk Delabastita, Lieven D Hulst, Reine Meylaerts

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Extra info for Functional Approaches to Culture And Translation: Selected Papers by Jose Lambert (Benjamins Translation Library, V. 69)

Sample text

L’insertion des textes traduits et autres dans des schémas de communication, littéraires et autres, nous fournit des cadres de référence dans lesquels les procédés et processus de base peuvent aisément être cernés. Comment les littératures française, anglaise, allemande d’une certaine époque conçoivent-elles le discours narratif, les dialogues, la langue populaire, le personnage tragique ou les différents genres poétiques? 7 (499-499) Production, tradition et importation littératures. L’essentiel est de disposer d’une bonne bibliothèque et de procéder à des observations en série plutôt qu’à des observations atomistes.

C’est à dessein que nous envisageons par ‘importation’ un groupe de textes plus vaste que celui des seules traductions. Si j’envisage l’ensemble des œuvres littéraires traduites dans une langue déterminée comme un système à part, selon les hypothèses formulées par Even-Zohar (1978), je peux envisager l’étude de ce système et des textes qui le représentent selon les mêmes principes. Il se révèle très fécond, en effet, de chercher à déterminer selon quels normes et modèles les textes importés sont d’une part sélectionnés, d’autre part traduits au sens propre: ce sont là les deux critères qui nous autorisent à parler d’un système de littérature traduite.

Lors d’une conférence à Louvain (26 février 1974), James Holmes, de l’Université d’Amsterdam, s’est rallié à ces vues. 6 Par son ambiguïté, due à l’intervention de deux langues, deux contextes socioculturels et deux personnalités artistiques, l’œuvre traduite pose un redoutable problème à la critique moderne, qui postule la cohérence du document à étudier. L’approche unilatérale, à partir du milieu d’arrivée, pour être féconde (elle permet de déceler ce qu’il y a de français et de gidien dans le Hamlet de Gide, par exemple), ne fait que confirmer cette dualité.

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